From ZSB Production Blog
Here you can see the process behind how a page of ZSB is completed. I normally draw a rough sketch of the layout and then in Photoshop refine the design of the page and then do the final drawing. One of the big things about ZSB is that I've been experimenting with doing panels or scenes in different styles using the pacing and character design to tie them all together.
For example Mirai's grandfather, King Cadillac, is supposed to exude an aura of majesty and classical romanticism, and so his panels are made to have a more painterly quality to them. So far, this take on the art in the story has been very successful and eduacation for me, and has pushed me into new territory as an artist.
Wacky Reference Wednesdays, No. 356 - TINTIN AND SNOWY. 2017. Gouache & Acryla Gouache on paper, 9 × 12″. Destination Moooooooon! detail of raw scan pencils
36 minutes ago